kaidanovskyys
god was a tall man of middle age.
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Fog in the Financial District 
By Tyler Hayward

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sirensongfashion:

Alana Zimmer by Miles Aldridge for Numéro #83 May 2007

sirensongfashion:

Alana Zimmer by Miles Aldridge for Numéro #83 May 2007

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trash-magic:

National Anthem film poster made by me

trash-magic:

National Anthem film poster made by me

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likeafieldmouse:

Paul Delaroche - Louise Vernet on her Deathbed (1845-6)

likeafieldmouse:

Paul Delaroche - Louise Vernet on her Deathbed (1845-6)

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captaindwreck:

The edge of the canvas // The pallete of colors after the painting

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"You can only run away and join the circus if the circus wants you, and I don’t want you in my circus."

The Knick 1x01 — Method and Madness

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"Passengers. This is not a shoe. This is disorder. This is size ten chaos. This— see this? This is death. In this locomotive we call home there is one thing that’s between our warm hearts and the bitter cold. Clothing? Shields? No. Order. Order is the barrier that holds back the frozen death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our particular, preordained position. Would you wear a shoe on your head? Of course you wouldn’t wear a shoe on your head. A shoe doesn’t belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is." - Snowpiercer (2013)

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Let’s Talk About Movies:

Blade Runner: Creating the Universe

Blade Runner is a detective story set in a sprawling megapolis in the year 2019. To construct the proper setting, the filmmakers had to develop a clear, realistic vision of urban life forty years from now. Director Ridley Scott was determined to avoid the pristine, antiseptic future often seen in science fiction films. To help authenticate this picture of the future, the filmmakers enlisted Syd Mead, an internationally eminent industrial designer who is a specialist in picturing the shape of things to come, from skyscrapers and vehicles to parking meters.  According to the introduction, the filmmakers researched principles behind the future of “architecture, transportation, fashion and social behavior” to inform their work.

"Blade Runner’ is not a ‘hardware movie,’" Mead wrote, "It’s not one of those gadget-filled pictures where the actors seem to be there only to give scale to the sets, props and effects."

The entire look of the film was based on research and and carefully thought-out principles regarding the future of architecture, transportation, fashion and social behavior. This artwork represents a behind-the-scene look at the original production designs.

Artwork by Syd Mead, Mentor Huebner, Ridley Scott, Charles Knode, and Michael Caplan.

Source: Blade Runner Sketchbook read it online Here 

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notordinaryfashion:

Beauty Backstage at John Galliano S/S 2010

notordinaryfashion:

Beauty Backstage at John Galliano S/S 2010

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